CHARTING (ART AND OTHER CULTURAL) COLLECTIVES: THE GOOD, THE BAD, AND A FEW RAW THINGS ABOUT THE DYNAMICS OF COLLECTIVIZING

Authors

  • Lyra Garcellano University of the Philippines Diliman Author

DOI:

https://doi.org/10.70922/z1ne6108

Abstract

“Collectives” are DIY complex soupy fares presented in diverse styles of utopian imaginations and occasions. Ideally, they function as alternative sources of nourishment often produced as a healthy counter to prevailing power structures that leave us either hungry or stuffed with a diet empty in nutritional value.

Author Biography

  • Lyra Garcellano, University of the Philippines Diliman

    Her research centers on the exploration of art ecosystems and historical narratives, and her output is often presented as installations, paintings, moving images, comics and writing. She is a graduate of interdisciplinary studies of the Ateneo De Manila University and holds degrees from the University of the Philippines: a BFA degree from the College of Fine Arts and an MA in Art Theory and Criticism from the Department of Art Studies.

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Published

2024-12-31

Issue

Vol. 10 (2024): Entrada

Section

Sanaysay/Creative Nonfiction

License

Copyright (c) 2025 Entrada

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How to Cite

CHARTING (ART AND OTHER CULTURAL) COLLECTIVES: THE GOOD, THE BAD, AND A FEW RAW THINGS ABOUT THE DYNAMICS OF COLLECTIVIZING. (2024). Entrada, 10. https://doi.org/10.70922/z1ne6108